climb to the top
of the highest mountain you can see
tap where the shoulder would be
on every stone, stump,
every stunted tundra tree
roughly the size of a man
stay there, keep trying
until a weathered face turns towards you:
one of the boulders or small evergreens
will not be what it seems
and your questions will be answered
you will never come in from the cold
and the rain again
and your face will be dry, sunburnt,
chapped by the wind,
your clothing will fall away,
will be replaced by leaves, bark, skins, furs
you will move around less and less
requiring less food and drinking rainwater instead
over the years
you will start to resemble a stone
or a human-sized stump or tree
all that you will have learned
and all that you will have left behind
will become a poem, a song
barely distinguishable
from the songs of wind in the mountain pines
and there you will sit,
your face to the East
your mind in the sky
with the tops of the trees,
and under the ground with their roots...
someday, when you are old
and still enough
to be mistaken for a mossy stone
or a stunted tree
you might feel a tap on your shoulder
Kelly Shepherd, South Korea
Monday, 13 April 2009
Friday, 10 April 2009
Family Tree by Mather Schneider
Me and Josie go to Agua Caliente park
and look at a giant mesquite tree
four times bigger than I’ve ever seen
sprawling with great old growth grotesquely gothic arms
spidering out like a nightmare.
It’s so big it would have died long ago
fallen from its own weight
and rotted into the ground
if people hadn’t built a support system
of ropes and chains and rubber hoses and hammocks
and crutches to hold up the biggest
most cumbersome branches.
There’s something obscene about it,
like a man grown so fat
he can’t get out of bed.
Josie tries to imagine something like this happening
in Mexico where she was born.
The American fondness for animals and trees
is a strange sentimental concept to her.
And I think, Why this tree
when so many thousands of other old growth mesquites
were slaughtered seventy five years ago
so people could move in and eventually
yearn for the past?
Me and Josie both wonder if it wouldn’t be better
to let it die
but we are not sure,
and so we just stand there looking at it
eating bananas.
Mather Schneider, Arizona, USA
and look at a giant mesquite tree
four times bigger than I’ve ever seen
sprawling with great old growth grotesquely gothic arms
spidering out like a nightmare.
It’s so big it would have died long ago
fallen from its own weight
and rotted into the ground
if people hadn’t built a support system
of ropes and chains and rubber hoses and hammocks
and crutches to hold up the biggest
most cumbersome branches.
There’s something obscene about it,
like a man grown so fat
he can’t get out of bed.
Josie tries to imagine something like this happening
in Mexico where she was born.
The American fondness for animals and trees
is a strange sentimental concept to her.
And I think, Why this tree
when so many thousands of other old growth mesquites
were slaughtered seventy five years ago
so people could move in and eventually
yearn for the past?
Me and Josie both wonder if it wouldn’t be better
to let it die
but we are not sure,
and so we just stand there looking at it
eating bananas.
Mather Schneider, Arizona, USA
Monday, 6 April 2009
Chiffchaff by Carol Thistlethwaite
6th April 2008 Withnell Fold
Even though snow is marbling the trees,
these chiff-chaff-chiff-chaff-chiffs are heard,
winding their spells through leafless worlds.
The steadiness of the chiff-chaff beat,
reassuring me that this flaky white
is no more than peeling old paint,
dead skin brushing off
as the season pulls on a new linen coat.
Chiff-chaff-chiff-chaff-chiff-chaff-chiff
charm from a distant land,
flamboyantly bowing its tail through the trees,
casting its hope with its hop-flick-hops,
dispelling the snow as it steadily goes,
chiff-chaff-chiff-chaff-chiff-chaff-chiff,
calling each leaf to stir in each bud,
unwavering herald that Earth really does
now tilt towards a North African sun.
Carol Thistlethwaite, Lancashire, UK
Even though snow is marbling the trees,
these chiff-chaff-chiff-chaff-chiffs are heard,
winding their spells through leafless worlds.
The steadiness of the chiff-chaff beat,
reassuring me that this flaky white
is no more than peeling old paint,
dead skin brushing off
as the season pulls on a new linen coat.
Chiff-chaff-chiff-chaff-chiff-chaff-chiff
charm from a distant land,
flamboyantly bowing its tail through the trees,
casting its hope with its hop-flick-hops,
dispelling the snow as it steadily goes,
chiff-chaff-chiff-chaff-chiff-chaff-chiff,
calling each leaf to stir in each bud,
unwavering herald that Earth really does
now tilt towards a North African sun.
Carol Thistlethwaite, Lancashire, UK
Friday, 3 April 2009
presence presents by Shirla White
now is the only tense
when you send a word my way,
each one a petal
drifting from a wishflower
held by someone
as distant as your flaws, echoing
she loves me
with the flicker of a firefly's eyes.
Shirla White, Saskatchewan, Canada
when you send a word my way,
each one a petal
drifting from a wishflower
held by someone
as distant as your flaws, echoing
she loves me
with the flicker of a firefly's eyes.
Shirla White, Saskatchewan, Canada
Sunday, 29 March 2009
a poem by Simon Kewin
’
Curled up asleep there
as seraphic as
the furled e in serene.
Crossed feet for
perfectly drawn serifs,
your soft body
a rune of tightly cuddled limbs
as you revert to
the bliss of the huddled womb.
A quiet quotation mark
at the start of a life's long speech,
the hushed susurrus of a slowly drawn breath
Simon Kewin, Herefordshire, UK
Curled up asleep there
as seraphic as
the furled e in serene.
Crossed feet for
perfectly drawn serifs,
your soft body
a rune of tightly cuddled limbs
as you revert to
the bliss of the huddled womb.
A quiet quotation mark
at the start of a life's long speech,
the hushed susurrus of a slowly drawn breath
Simon Kewin, Herefordshire, UK
Wednesday, 25 March 2009
The Ghost Within Us by Amir Elzeni
Digging yesterday
to find ourselves
today,
dreaming
beyond expectation,
memories vivid
as rain to the blind,
living between rhythms,
trying to dance
to a tune:
we all
seem to know,
yet
cannot quite
recognize.
Amir Elzeni, USA
to find ourselves
today,
dreaming
beyond expectation,
memories vivid
as rain to the blind,
living between rhythms,
trying to dance
to a tune:
we all
seem to know,
yet
cannot quite
recognize.
Amir Elzeni, USA
Sunday, 22 March 2009
Resurrection by Lisa Zaran
Silent afternoon, nothing unusual
with the weather except a possible
chance of rain. Probably not.
I wash my car anyhow.
An entire world portraits itself
outdoors. Children hustle past
with little faces like thumbprints
on Gods memory.
I roll up the pant legs of my jeans,
get to the gladness of bubbles, white foam
on a red automobile. Think about the cost
of things. My daughters schooling, my sons
habits. My husbands countenance, even though
countenance is such an old fashioned word.
I practice thinness. Pretend to be so far gone
that even those who've never taken the time to notice,
notice me. How thin she is, they might exclaim.
I hardly recognize her elements.
I think I'll grow up now. Stop pretending
I am so far gone that love is an awkward myth.
I know it exists, can blossom
in bones so old, the body surrounding them
might burst into color
like a rose.
Take away love and our earth is a tomb, Browning wrote.
The scene now after the rain: children reemerge
as the chorus of their voices
sound like thunderclaps, faces shine
through broken clouds.
No chance of desultory weather.
No spot on redemption.
In my grief I think I'll re-wash my car.
Lisa Zaran, Arizona, USA
with the weather except a possible
chance of rain. Probably not.
I wash my car anyhow.
An entire world portraits itself
outdoors. Children hustle past
with little faces like thumbprints
on Gods memory.
I roll up the pant legs of my jeans,
get to the gladness of bubbles, white foam
on a red automobile. Think about the cost
of things. My daughters schooling, my sons
habits. My husbands countenance, even though
countenance is such an old fashioned word.
I practice thinness. Pretend to be so far gone
that even those who've never taken the time to notice,
notice me. How thin she is, they might exclaim.
I hardly recognize her elements.
I think I'll grow up now. Stop pretending
I am so far gone that love is an awkward myth.
I know it exists, can blossom
in bones so old, the body surrounding them
might burst into color
like a rose.
Take away love and our earth is a tomb, Browning wrote.
The scene now after the rain: children reemerge
as the chorus of their voices
sound like thunderclaps, faces shine
through broken clouds.
No chance of desultory weather.
No spot on redemption.
In my grief I think I'll re-wash my car.
Lisa Zaran, Arizona, USA
Wednesday, 18 March 2009
Grackles by Robert Demaree
Persuaded by a bogus theology,
Believing that God inhabits all things,
We have at length given in to the grackles.
No longer do I tap at the window
Lest they devour seed meant for the goldfinches,
Who can take care of themselves.
The grackles cast an oily, blue-black glance:
You put up bird feeders? We’re birds! Where’s the problem?
Sadly, I no longer argue.
With the squirrels, though, it’s a different matter
Robert Demaree, USA
Believing that God inhabits all things,
We have at length given in to the grackles.
No longer do I tap at the window
Lest they devour seed meant for the goldfinches,
Who can take care of themselves.
The grackles cast an oily, blue-black glance:
You put up bird feeders? We’re birds! Where’s the problem?
Sadly, I no longer argue.
With the squirrels, though, it’s a different matter
Robert Demaree, USA
Monday, 16 March 2009
Forgive the Birds by Paula Ray
They do not know
windswept cries
are anchor stones.
Even music poured
from wounded clouds lifts them;
unlike you and me.
Paula Ray, North Carolina, USA
windswept cries
are anchor stones.
Even music poured
from wounded clouds lifts them;
unlike you and me.
Paula Ray, North Carolina, USA
Wednesday, 11 March 2009
Haibun by Shirla White
A bird, both feet planted firmly on a telephone wire, stares into the lavender void that enfolds him. Every half-minute or so, he turns, as though orbiting a planet nestled under his wings, tugging on a string wrapped around the moon, lifting it up for the prairies. Tonight, he is Atlas' assistant, coaxing the cosmos to comply with tired nations.
moonrise
the sleeping bird
with raised wings
Shirla White, Saskatchewan, Canada
moonrise
the sleeping bird
with raised wings
Shirla White, Saskatchewan, Canada
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