The day before the sun blew up
We took breakfast late, watched
The twenty-four hour news channel,
Considered doing nothing.
You placed on the back porch
Our cats' left over food
For the stray that has been
Looking in across the patio glass
Days, sun and rain, for a week.
Our cats have excess, and, as with all
Your other backdoor bowls of generosity,
Never has any bowl gone less than empty.
What do you think that cat
Feels for us now? Nonetheless
For as long as we could, we were
Committed to doing something, something
Sheepishly cliché, even knowing that the end state
Would be that it was the process that mattered.
Or perhaps it was the other way around.
Ken Poyner, Virginia, USA
Monday, 28 November 2011
Wednesday, 23 November 2011
The Buyers by Lee Stern
The buyers are here
and they want to be sure there is something to buy.
If there’s nothing to buy, they’re going to go back to their sad houses
and line up behind the other sad buyers.
So please try to keep that in mind
when you have something ill to say about them.
Let the buyers advance for the good of humanity.
And let them reconcile their obligations
even when it is still the morning hour for us
and we stand amazed at the quality of the light.
Let the buyers settle their affairs
using the most advanced principles of modern accounting that we are able to relate.
And let the things they have bought settle down easily on shelves.
Let the dust that accumulates become the surface for the road that we keep.
And let the super abundant boxes
sail nightly through the shores of the heaven we can name.
Lee Stern, California, USA
and they want to be sure there is something to buy.
If there’s nothing to buy, they’re going to go back to their sad houses
and line up behind the other sad buyers.
So please try to keep that in mind
when you have something ill to say about them.
Let the buyers advance for the good of humanity.
And let them reconcile their obligations
even when it is still the morning hour for us
and we stand amazed at the quality of the light.
Let the buyers settle their affairs
using the most advanced principles of modern accounting that we are able to relate.
And let the things they have bought settle down easily on shelves.
Let the dust that accumulates become the surface for the road that we keep.
And let the super abundant boxes
sail nightly through the shores of the heaven we can name.
Lee Stern, California, USA
Tuesday, 15 November 2011
absolute velocity by Linda King
sometimes it is enough
this pull of distance its bitter wind
flung past evening driven
beyond the off ramp
even the gods are unhappy
at the broken places
where solitude collects
lean out your window sing
to the street lamps
the half moon dangles
from barren branches
between the lines
memories are written on the bodies
of those plastic flaxen-haired women
the ones that young girls crave
their stories compose a world
where violence becomes a verb
wrenched from another language
all scars and bruised knees
inherited disasters
passed on passed down
like heirloom silver
and those long ago neighbourhoods
where the hard summer grass remains
Linda King, Vancouver, Canada
this pull of distance its bitter wind
flung past evening driven
beyond the off ramp
even the gods are unhappy
at the broken places
where solitude collects
lean out your window sing
to the street lamps
the half moon dangles
from barren branches
between the lines
memories are written on the bodies
of those plastic flaxen-haired women
the ones that young girls crave
their stories compose a world
where violence becomes a verb
wrenched from another language
all scars and bruised knees
inherited disasters
passed on passed down
like heirloom silver
and those long ago neighbourhoods
where the hard summer grass remains
Linda King, Vancouver, Canada
Monday, 7 November 2011
Lotus shoes by Jan Harris
Li combs the elm tree’s roots apart
as Ma Ma once teased tangles from her hair.
She prunes them short to fit the shallow pot
and soothes the severed tips with soil
like arms around a weeping child.
Annealed copper shapes the trunk,
as if it’s growing from a windswept cliff
where clouded panthers climb with ease.
Li twists the boughs with care.
The cracks and tears will heal with time
and all will wonder at its grace and style.
Tonight she’ll lift the Penjing from its plinth
and carry it with tiny steps to her betrothed.
She’ll wear her golden lotus shoes -
two crescent moons of satin silk,
embroidered figures dancing down the sides
Jan Harris, UK
as Ma Ma once teased tangles from her hair.
She prunes them short to fit the shallow pot
and soothes the severed tips with soil
like arms around a weeping child.
Annealed copper shapes the trunk,
as if it’s growing from a windswept cliff
where clouded panthers climb with ease.
Li twists the boughs with care.
The cracks and tears will heal with time
and all will wonder at its grace and style.
Tonight she’ll lift the Penjing from its plinth
and carry it with tiny steps to her betrothed.
She’ll wear her golden lotus shoes -
two crescent moons of satin silk,
embroidered figures dancing down the sides
Jan Harris, UK
Monday, 31 October 2011
Misdirecting Merlin by Kevin Cadwallender
if you had known
would you have said?
in all the magic of our
being together,
a darkness.
was it trickery?
did you weave love
into a shawl?
did you wrap
yourself in it
to save you
from darkness?
if I had been Merlin
I could not have cast a spell
to redeem you.
I am the shabbiest
of conjurors
drawing nothing
from the hat but
my hands, gloved
by your darkness now
and infecting all light.
My cloak hangs
on your bedroom door,
stars long dead still visible.
Kevin Cadwallender, Scotland
would you have said?
in all the magic of our
being together,
a darkness.
was it trickery?
did you weave love
into a shawl?
did you wrap
yourself in it
to save you
from darkness?
if I had been Merlin
I could not have cast a spell
to redeem you.
I am the shabbiest
of conjurors
drawing nothing
from the hat but
my hands, gloved
by your darkness now
and infecting all light.
My cloak hangs
on your bedroom door,
stars long dead still visible.
Kevin Cadwallender, Scotland
Sunday, 23 October 2011
Bound to Place by Vivian Faith Prescott
Children know haa áan—our land,
ways-of-knowing. Language binds them
to place, my incantations. Fish spawning
in streams, bear cubs birthing in dens.
Children, a seasonal calendar, interwoven.
Daughter born during the Child Moon—Dís yádi
Daughter in the Black Bear Month, S’eek dísi—
..............Month-When-Black-Bear-Cubs-Are-Born
Another daughter born in At gadaxit dísi—
.............The-Birth-Moon-When-Animals-Give-Birth
Son born in At gadaxit yinna dísi—the Breeding Month.
This animal landscape.
Vivian Faith Prescott, Alaska, USA
ways-of-knowing. Language binds them
to place, my incantations. Fish spawning
in streams, bear cubs birthing in dens.
Children, a seasonal calendar, interwoven.
Daughter born during the Child Moon—Dís yádi
Daughter in the Black Bear Month, S’eek dísi—
..............Month-When-Black-Bear-Cubs-Are-Born
Another daughter born in At gadaxit dísi—
.............The-Birth-Moon-When-Animals-Give-Birth
Son born in At gadaxit yinna dísi—the Breeding Month.
This animal landscape.
Vivian Faith Prescott, Alaska, USA
Sunday, 16 October 2011
Lunchtime Dispatch from Corkscrew Swamp Sanctuary by Gail Goepfert
The green anole lizards along, puffs out
the dewlap under its neck, inches across
the weathered fence rail, postures
in the shade of his tiny domain.
The pileated woodpecker sports
his red workhat, pries off long slivers of wood in search
of carpenter ants buried in the hollow-topped cypress—
home, kitchen, and drum.
The red-shouldered hawk cruises
the swamp understory, scouts
perches and preens, then performs its sky-dance—
an artist’s flipbook in flight.
The great egret, white in a field
of lettuce greens, edges forward in the shallows,
neck first, zen-master of patience
keen-eyed hunter as it stalks its prey.
The nursery log, fallen cypress
opens light in the canopy—
welcomes seedlings
insects, mosses, and ferns.
I set out hungry and fill my plate.
Gail Goepfert, USA
the dewlap under its neck, inches across
the weathered fence rail, postures
in the shade of his tiny domain.
The pileated woodpecker sports
his red workhat, pries off long slivers of wood in search
of carpenter ants buried in the hollow-topped cypress—
home, kitchen, and drum.
The red-shouldered hawk cruises
the swamp understory, scouts
perches and preens, then performs its sky-dance—
an artist’s flipbook in flight.
The great egret, white in a field
of lettuce greens, edges forward in the shallows,
neck first, zen-master of patience
keen-eyed hunter as it stalks its prey.
The nursery log, fallen cypress
opens light in the canopy—
welcomes seedlings
insects, mosses, and ferns.
I set out hungry and fill my plate.
Gail Goepfert, USA
Wednesday, 12 October 2011
star ash fire by Joseph Mayo Wristen
looking to understand
what it was like
to have walked here
before star ash fire,
circle of city lights
surrounded by desert rock
pyramids, scorpion shadow
migrating to birth’s field
mountain Blue Bird nesting
against sage nectar time’s
Saquaro forest stretched
across sand painted earth
October moon rising in Sagittarius
sandstone monument
surround by spiritual
red drop wind chants
layered canyon walls
earth’s endless colors
giving us the ability
to recognize the different
choices civilization has made
looking to understand
what it was like
to have walked here
before star ash fire
Joseph Mayo Wristen, USA
what it was like
to have walked here
before star ash fire,
circle of city lights
surrounded by desert rock
pyramids, scorpion shadow
migrating to birth’s field
mountain Blue Bird nesting
against sage nectar time’s
Saquaro forest stretched
across sand painted earth
October moon rising in Sagittarius
sandstone monument
surround by spiritual
red drop wind chants
layered canyon walls
earth’s endless colors
giving us the ability
to recognize the different
choices civilization has made
looking to understand
what it was like
to have walked here
before star ash fire
Joseph Mayo Wristen, USA
Tuesday, 4 October 2011
Testimony by Brittany Michelson
Do not hold anything I’ve said or done against me
I swear to tell the truth, the whole truth
And nothing but the truth
So help me stars
Raising my right hand and placing it
On your heart
I make a solemn oath
To unlearn the sound of you
I do not recall the exact lighting condition that day
Nor the precise weather forecast
On the night
You struck a chord in me
But I know the feeling of tiny wings
Caught in a flame
Brittany Michelson
I swear to tell the truth, the whole truth
And nothing but the truth
So help me stars
Raising my right hand and placing it
On your heart
I make a solemn oath
To unlearn the sound of you
I do not recall the exact lighting condition that day
Nor the precise weather forecast
On the night
You struck a chord in me
But I know the feeling of tiny wings
Caught in a flame
Brittany Michelson
Wednesday, 28 September 2011
Waymarks by Mavis Gulliver
Not a goose in sight
but all around are signs
of last night's roosting,
half a mile
of sea-smoothed sand studded
with droppings, the dune edge
flecked with feathers,
scatterings of breast down
heaped in hollows, filling
the small spaces
between sand sedge
and sun-bleached driftwood,
or trapped on tips of marram,
a flurry of restless pennants
fluttering.
Mavis Gulliver, Scotland, UK
but all around are signs
of last night's roosting,
half a mile
of sea-smoothed sand studded
with droppings, the dune edge
flecked with feathers,
scatterings of breast down
heaped in hollows, filling
the small spaces
between sand sedge
and sun-bleached driftwood,
or trapped on tips of marram,
a flurry of restless pennants
fluttering.
Mavis Gulliver, Scotland, UK
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