The long rope of eveningtightens its soft noose.Slack falls away from the barnand sits down in goldenrod fieldlike a Guernsey waiting for hands,tired of heavy suspension. By the window your eyescatch neither star nor firefly,nothing shaken to superlatives,just a small scar of light stolenfrom the art of darkness itself,just the thinned edge of dream working out of a dim retreat.We always separate this way,as if night is a wedge or wall,final hard divider of the day, a bolt thrown home by pale handsounding ultimate punctuation; you, dashing into tomorrowbefore it takes a first breath;me, at our history’s lectern,a professor of yesterdays,calipers in hand, measuringlittered wayside and foot paths bringing us to schismatic twilight.We stand apart, form and matterof arguments, apt deliberations,one part silk and one part burlap.Oh, how we love differences,and shadows’ falling threats.
Tom Sheehan, MA, USA
Changing technique with the tide.from headfirst diveto web-foot-drop,hesitant withstop-start-stop. Wings and streamerssteadyeyes,searchingdowninto the shingle,pluckingmovementfreshly salted and abandonedby the now recedingsea.Carol Thistlethwaite, Lancashire, UK
An obscure moon - porcelain-pattered, or pockedlike an orange drawn by a child - sobs its way up into a purple sky. Somewhere close, a dog barks beneath a canopy of sun-faded green, is answeredwith the human chime of its name. On Keir Street, a young man folds light-shards under the bonnet of his car;vacuum cleaners sing from open windows, shovellingtheir strange music out onto flagstones. Elsewhere, raucous bells reel off their repertoire, bathingthe slate-roofed sandstone streets in audible dusk.With hosepipes out of bounds, resourceful housewives serve up dish-water to their spluttering plants;children thread their Meadows daisies into chains, a talisman. A solitary aeroplane passes, ladders the delicate skin of the sky - the swallows dive like graceful spitfires; winged stars.
Claire Askew, Edinburgh, Scotland
Summer Sunday's ribbon strips:the tarmac road for tour buses,motorbikes, cars towing boats,next a wide pavement, crossed by groups,the old and families, ice-creamand purchases, zimmers and prams.The row of shops' dry caves of waresare cool and casual. Stairs and doorsshow gardens built within stone walls,a wild track where the railway ran,a steepening brae you climb to viewthe river, pooled below the rest,reflection mirroring the strathof skies above the town. Sally Evans, Scotland
The whizz and zip of the moped,Rocketing down the dry sodium street,The teenage girl’s laugh cracks the dusk.Behind brick and mortar,Six o’ clock signals the chink of tea-plates onto the table …The rusty hinge on the gateScrapes with the cheap high heelAs the girl turns aside …A fragile shudder, a throaty rev -And the new-minted squire of the road,Inclines his head with the certainty of a later conquest,And the teenage girl’s eyes shine with a timid lust.Behind wood and glass,The thin hand with ghost wedding ring twitches the table-cloth …Whizz! Zap! Brr-00-mmm!The acrid smoke her solitary love-token,And like a whisper,Stains the tea-plateAs she places it, unused,In a dark and lonely cupboard.Fiona Dunn, Kent, England
The days get lostin the shadowsof living,in the primal painof existence, survival,
the dance often isn't, to sweet musicmy beautiful friends,most times it'ssirens, hate, intrusiveness,let downs, the con is evidentyet the skill to avoid,seems elusive, for most,and I search for the smilethat makes it all alright,the words that make nightstolerable, lifetimes between souls, forgotten times betweenstrangers, momentslike melting butteron hot biscuits, the treasurewithin graspof those willing.Amir Elzeni, USA
marbles on an uneven floor
blue ones, red
big fat shooters
oxblood, turtle, clambroth
dropped, rolling
holding up a wall
at the far end of the earth
dance gray on tattered glass
sit on low chairs in
dimly lit rooms
marbles scatter as cats
drag the dead and dying
across brown faded hard wood
floors
tilt-a-whirl sunrise
breaks my mecca moment
light breaks through branches
of a coral tree out back
i reach for a marble,
ammo for my slingshot
first window drops
and the breeze
feels so fine
footsteps sound against
the grain of my waking
she steps through blended
light trapped from starlings
eyes
she sits on her knees
flips a thick round shooter
to my hand
i smile and take out the door
Jack Henry, California, USA
Cats lie in squares of shadeunder the chairs besidea pond - no one to watchwhen golden frogs, black toadssplash and submerge,or fishes rise,silver minnow, surprised.We wait and waitfor waterlily flowers -fat buds, like minaretsacross the flat-roofed pondin no hurry to showtheir colours, or expand -poems that remain in nub.Sally Evans, Scotland
Poplars stoop over the lake.
A random breeze mocks
the water into small waves.
Sleeping ducks extract beaks
from backs and exhale in disgust.
A twitch of swallows is pitched
off a poplar and scatters like glitter
over the water. The water calms
to hold a cup of sun on its saucer.
The poplar looks morose now
his friends have left: frustration,
resignation. Laying down his sack,
the woodcutter sets to work. A branch
falls into the water. The sun disappears.
Gordon Mason, Scotland and Spain
i watch the sun climb throughbarbed branches filled w/fat green leaves andorange trumpet bloomskoi, yellow and white and black,jump from thick water as tinybugs skim across the edgei am a child in my fears,waiting for the news tobrighten my day, althoughsimple words do not seem to swaymetal bars bend as the heatof my dying litters acrossunmarked graves, yet birdscontinue to sing and thesun never slowsJack Henry, California, USA