Showing posts with label James Valvis. Show all posts
Showing posts with label James Valvis. Show all posts

Sunday, 16 September 2012

The Material Soul by James Valvis

My daughter wants to know about the cat.
Will it go to heaven when it dies?

My wife is content to tell her that it will, but I know it won’t.
That cat, according to the faith we practice, has a material soul.

Our heaven is a heaven for humans: not cats, cows, or cabbages.
How could we even begin to move, to live in any way,
if every bacteria we killed was equally made in God’s image?

But I don’t pretend to understand it all myself.
Heaven has always seemed to me less likely than hell.

It’s certainly harder to imagine what it is like to be there
and what might deliver you there in the first place.

In many ways, the cat is more deserving of heaven than I am.

The cat has never yelled at my wife over nothing,
never flew off the handle at my daughter for her trichotillomania.

It’s not easy to conceive of a place that invites none of the things we love.
It’s even harder to imagine a heaven where a beloved daughter misses her cat.


James Valvis, Washington, USA

Wednesday, 12 January 2011

On Reading Toni Morrison’s ‘The Bluest Eye’ While Watching My Daughter Draw Unicorns by James Valvis

I close the book to look at my daughter’s drawing.
Rainbows and unicorns are everywhere.
People with colorful eyes
smile sky-blue teeth that take up half their faces.
She wants to know if it’s good, and I tell her it is.
Then I open the book and read again,
but my mind wanders to gemstones, of all things,
and I think, a ruby is red
because it can accept every color but red;
and an emerald is green because it can’t accept green.
And it’s not just that way for rocks either.
The banana skin you think is yellow isn’t yellow,
it’s every color but yellow,
yellow alone bouncing back to our eyes.
A little more reading, and I decide,
this is true of the races of people also.
The people we call brown are everything but brown,
and the Indians are not reddish
but blue and burnt umber and purple.
Try getting your head around that.
What we see is the rejected color, not what we accept.
If we could see beyond the rejection,
we’d see that each thing is a near-complete spectrum,
colors forever moving through the form.
And then we’d have no need for political correctness,
marches, morons shaving their rainbow heads,
or race-baiters shaking down CEOs.
And the girl in this Toni Morrison novel
who wants the blue eyes,
she’d know she always had them,
and pink eyes too, and peach, and gold,
and any color an imaginative child cared to scribble.


James Valvis, Washington, USA